Canvas Prints
Buy quality canvas prints, Great for Art-Deco
J.W.Waterhouse / Vanitas / Oil on canvas
2-T52-V1-1900-1J.W.Waterhouse / Vanitas / Oil on canvasWaterhouse, John William1849-1917.'Vanity' (Vanitas), undat.Oil on canvas on card,37 x 27 cm.London Art Trade, Sotheby's,17th June 1986, Lot 44.
MARY, WIFE OF JAMES HEYWOOD OF MARISTOW (1706-1755), oil on canvas by Michael Dahl, in the Great Hall at Clevedon Court
MARY, WIFE OF JAMES HEYWOOD OF MARISTOW (1706-1755), oil on canvas by Michael Dahl, in the Great Hall at Clevedon Court.
STILL LIFE WITH FLOWERS AND PEACOCK by Jean Baptiste Monnoyer, late seventeenth century, oil on canvas
STILL LIFE WITH FLOWERS AND PEACOCK by Jean Baptiste Monnoyer, late seventeenth century, oil on canvas, at Hatchlands, Surrey. HAT.P.18
CHIVALRY DYING OF LOVE FOR THE GODDESSES, oil on canvas by Eleanor F. Brickdale in the Great Hall Gallery at Clevedon Court.
CHIVALRY DYING OF LOVE FOR THE GODDESSES, oil on canvas by Eleanor F. Brickdale in the Great Hall Gallery at Clevedon Court.
Under canvas, 1 August 1938.
'After a swim, a cup of tea, for holidaymakers in camp at Branscombe. South Devon.'
Elderly man covered by canvas up to neck, sitting in a deck-chair, 1967.
Taken near the Palace Pier at Brighton, West Susex. Photographer Tony Ray- Jones (1941-1972) created most of his images of the British at work and leisure between 1966 and 1969. Travelling around Britain, he recorded the unguarded moments of people from all sections of British society with a distinctive and highly individual style, combining both sadnes and humour.
Camping under canvas, 1 August 1938.
'After a swim, a cup of tea for holiday makers in camp at Branscombe, South Devon.'
Ship under low canvas in a heavy sea
Ships under low canvas in a heavy sea. On the left the stern view of a ship under fore course and mizzen, close-hauled on the port tack. On her lee bow, another ship with her main course set also. On the right the lee bow view of a small ketch on the starboard tack. Several ships in the distance.
PORTRAIT OF FRANCIS WOLRYCHE (1563-1614), English School, mid-17th century, The oil on canvas painting is located in The Main Hall at Dudmaston and shows him wearing a suit of armour, holding a helmet and baton
PORTRAIT OF FRANCIS WOLRYCHE (1563-1614), English School, mid-17th century, The oil on canvas painting is located in The Main Hall at Dudmaston and shows him wearing a suit of armour, holding a helmet and baton
CHIVALRY DYING OF LOVE FOR THE GODDESSES, oil on canvas by Eleanor F. Brickdale in the Great Hall Gallery at Clevedon Court.
CHIVALRY DYING OF LOVE FOR THE GODDESSES, oil on canvas by Eleanor F. Brickdale in the Great Hall Gallery at Clevedon Court.
MARY, 2nd WIFE OF JOHN DURBIN, oil on canvas by Nathaniel Hone hanging in the Great Hall at Clevedon Court
MARY, 2nd WIFE OF JOHN DURBIN, oil on canvas by Nathaniel Hone hanging in the Great Hall at Clevedon Court.
The Artist Hesitating Between the Arts of Music and Painting,Angelica Kauffmann,1741-1807 Self-portrait, 1791 or 1794 Oil on canvas, 1473 x 2159mm (58 x 85")
The Artist Hesitating Between the Arts of Music and Painting,Angelica Kauffmann,1741-1807 Self-portrait, 1791 or 1794 Oil on canvas, 1473 x 2159mm (58 x 85")Nostell Priory, The St Oswald Collection (The NationalTrust, acquired with the help of the Heritage Lottery Fund in 2002) ©NTPL/John Hammond.OWNED BY THE NT.
H.Planthner, Politics, Oil on Canvas
2-G90-S1-1870-1H.Planthner, Politics, Oil on CanvasPlanthner, Herman1831-1902.'Politics', undated.Oil on canvas, 26.7 x 31.8cm.London, Sotheby's.Lot 118, 2/11/1999.
Canvas Backed Duck / after Audubon
Zoology / Ducks. Cannvas backed duck, Aythya valisineria. - "Canvas backed Duck / Fuligula vallis- neria" (male and female). - / Aquatiint coloured, 1836, by Robert Havell t.Y. (1793-1878)after a drawing by John James Audubon (1780-1851).From: J.J.Audubon, TAhe Birds of America, London, 1827-38. Paris, Museum National d'Histoire Natur.
STILL LIFE WITH FLOWERS AND PEACOCK by Jean Baptiste Monnoyer, late seventeenth century, oil on canvas
STILL LIFE WITH FLOWERS AND PEACOCK by Jean Baptiste Monnoyer, late seventeenth century, oil on canvas, at Hatchlands, Surrey. HAT.P.18. Photographed post-conservation.
JOHN COLLET OF BRISTOL, oil on canvas by Joseph Highmore (circle of) in the Great Hall at Clevedon Hall
JOHN COLLET OF BRISTOL, oil on canvas by Joseph Highmore (circle of) in the Great Hall at Clevedon Hall.
THE LOCK ON THE STOUR after John Constable, oil on canvas, at Anglesey Abbey
THE LOCK ON THE STOUR after John Constable, oil on canvas, at Anglesey Abbey. Credit line : Anglesey Abbey, The Fairhaven Collection (The National Trust)
JAMES (JANUS) MODYFORD HEYWOOD (1732-1798), oil on canvas, by Thomas Gainsborough, in the Great Hall at Clevedon Court
JAMES (JANUS) MODYFORD HEYWOOD (1732-1798), oil on canvas, by Thomas Gainsborough, in the Great Hall at Clevedon Court. He is wearing a black velvet coat with gold frogging.